We will read texts that blur the boundaries between fact and fiction, hybridizing the genres of poetry, drama, and autobiography to produce new forms of expression, such as the graphic novel, auto-fiction, and prose poetry. CIMS 584 20th-Century Italian Fiction and Film. Other assignments include an 8-10 page paper and a presentation. Also Offered As: AFRC 791, ARTH 791, COML 791, ENGL 777. Using cinema as a lens with which to see the society, we will touch upon major events of the twentieth century including national division, military dictatorship and democratization movements, IMF economic crisis, youth culture, hallyu (the Korean wave), and damunhwa (multiculturalism initiative). What role do festivals in various countries play in shaping media production and distribution? CIMS 274 Dark Comedy in Theatre and Film. Each student should, by the end of the semester, have at least thirty pages of a screenplay completed. Alongside this Hollywood tradition of Jewish film, Yiddish film blossomed from independent producers between 1911 and 1939, and interpreted literary masterpieces, from Shakespeare's "King Lear" to Sholom Aleichem's "Teyve the Dairyman," primarily for an immigrant, urban Jewish audience. There are no pre-requisites for CIMS 382. How have (social) media transformed socialities as ephemeral snaps and swiped intimacies become part of the "new" digital/phone cultures? If there is a journal title which you feel it would be helpful to include but is not on this list, please e-mail me at cobine@upenn.edu. Classic and not-so-classic screenplays will be required reading for every class, and students will also become acquainted with how the business of selling and producing one's screenplay actually happens. Requirements: Weekly reading; weekly journal for self-reflection (required, but not for submission); participation in discussion; design a syllabus for an introductory course in your field. Screening times are Mondays 5:20-7:30 PM, Williams Hall 440. There are no prerequisites of this course. Your journey to the Master of Liberal Arts at the University of Pennsylvania starts with you: your passions, your questions, and your unique combination of academic interests. A select, limited number of films are available to stream. See the English Department's website at www.english.upenn.edu for a description of the current offerings. This truly interdisciplinary program will introduce students to the wide range of methodologies used to study film and media, and this intersection with other disciplines makes Cinema and Media Studies an ideal component of a double major. Prior to joining the faculty at Penn, she held postdoctoral teaching positions in NYU Shanghai (2019-2020) and Stanford University (2016-2019). This page features a small selection of e-books related to Cinema and Media Studies. Cinema Studies Program 209A Fisher-Bennett Hall ⋅ 3340 Walnut Street ⋅ Philadelphia, PA 19104 ⋅ (215) 898-8782 We will also consider religious motivations and interpretations that have inspired many involved in this conflict as well as the political consequences of world wars that contributed so greatly to the reconfiguration of the Middle East after the fall of the Ottoman Empire, and after the revelations of the Holocaust in Western Europe. Also Offered As: ARTH 573, COML 570, ENGL 573, GRMN 573, REES 683, CIMS 528 Modern Spain and Hispanic America. Catastrophic flooding events are increasing in frequency, as are extreme droughts. Specific course topics vary from year to year. Cinema and Media Studies students will gain a broad and detailed familiarity with film and media in the context of larger cultural histories. CIMS 206 Italian History on Screen: How Movies Tell the Story of Italy. Our video production courses, offered through Fine Arts, focus on the acquisition of basic media language skills and insist upon evidence of a … The lectures and subsequent discussions will examine: a) The Business and Art of the Film Festival; b) Contemporary International Cinema. Emeritus Professor of English, Cinema & Media Studies, and History of Art tcorriga@sas.upenn.edu 209A Fisher-Bennett Hall ⋅ 3340 Walnut Street ⋅ Philadelphia, PA 19104 ⋅ (215) 898-8782 Canvas. Adopting comparative approaches, we will be studying TV's formation of national and global discourses, and thereby recognizing not only television's impact on processes of globalization, but also the ability of television to matter globally. Search a film title in Franklin.Under Access, choose Online to see streaming films.Choose At the Library for DVDs and physical media. Through careful analysis of literary and cinematic representations of this Italian region, and those that do and have inhabited it, we will trace and analyze how Sicilians have represented themselves, how mainland Italians have interpreted Sicilian culture, how outsiders have understood these symbols, how our own perceptions shaped what we thought we knew about this place and, finally, how our own observations will have evolved throughout our studies. Some focus will also be given to major theatrical movements such as the Federal Theatre Project, Off-Broadway, regional theatre, experimental theatre of the Sixties, and feminist theatre. Over the course of the semester, students will learn not only cinematic history but how to write about and close-read film. Cinema and Media Studies is an interdisciplinary program at the University of Pennsylvania. We will then selectively examine some of the most important films of the last two decades, including those of U.S. independent film movement and movies from Iran, China, and elsewhere in an expanding global cinema culture. Despite the extreme polarization between Paris and provincial France in both cultural and socio-economic terms, cultural historians have argued that Paris is a symbol of France (as a centralized nation), more than Rome is of Italy and much more than Madrid is of Spain or Berlin of Germany, for example. Cinema played a crucial role in the cultural life of Nazi Germany and other fascist states. What does digitization afford and what is lost as television and cinema become digitized? How and when do media become digital? Also Offered As: ARTH 109, COML 124, ENGL 092. Can we study television in countries where we do not know the existing local languages? Traditionally, all of them are staged and directed as dramas, melodramas, or tragedies. Also Offered As: ARTH 295, ARTH 695, COML 299, ENGL 305, GSWS 295. In dialogue with this scholarship, students will develop and situate their own experimental documentary research projects. Taught in English. His films are beautiful, intellectually challenging, and spiritually profound. What has happened to television and life after New Media ? Those introductory lectures will be coordinated with the Philadelphia Film Festival, which is held on April 5-18, 2007. This graduate topic course explores aspects of copyright in Cinema Studies. Visit coronavirus.upenn.edu, the University's dedicated coronavirus COVID-19 web page, for the latest updates. This course offers an introduction into the history of German-language cinema with an emphasis on depictions of lesbian, gay, bisexual, trans and queer themes. You state your goals, and we help you craft your course of study … This course studies scriptwriting in a historical, theoretical and artistic perspective. Contact. We will spend the first few weeks of the semester surveying major trends in modern Middle Eastern history. During both the Philadelphia Film Festival and the Cannes Film Festival, students attend screenings of current international films, applying the critical tools and knowledge of the film industry gained from their earlier work. An introduction to the momentous history of German film, from its beginnings before World War One to developments following the fall of the Berlin Wall in 1989 and German reunification in 1990. These courses also expose students to the range of possibilities of a medium’s application, from nonfiction documentary to performance art. Also Offered As: ARTH 505, COML 510, GSWS 574, CIMS 505 Electronic Literary Studies Proseminar, Also Offered As: ARTH 506, COML 504, ENGL 505. Readings will include "recits fantastiques" by Merimee, Gautier, Nerval, Maupassant, Breton, Pieyre de Mandiargues, Jean Ray and others. This course aims to increase students' understanding and knowledge of the Sicilian socio-cultural system. Also Offered As: ARTH 291, EALC 106, EALC 506. At a time when humans seem unable to curb the destructive practices that place themselves, biodiversity, and the forests at risk, the humanities give us access to a record of the complex inter-relationship between forests and humanity. 250 words) to dagw@english.upenn.edu and redkaren@sas.upenn.edu. Although the course will introduce several key Japanese auteurs (Mizoguchi, Ozu, Kurosawa, Oshima, Suzuki, etc), it will emphasize lesser known directors and movements in the history of Japanese film, especially in the experimental, arthouse, and documentary productions of the 1960s and 1970s. Also Offered As: COML 009, ENGL 009, HIST 009. Composers Nino Rota and Ennio Morricone serve as case studies, in partnership with directors Fellini, Visconti, Leone, Pontecorve, Pasolini, and Coppola. This course explores the major auteurs, styles, themes, and currents of the so-called "New Korean Cinema" that emerged in the mid-to-late 1990s to continue to this day. February 19-20, 2021. nyuconference2021@gmail.com Frames, windows, mirrors is a set of related, multivalent concepts that have each worked as figurative anchors at critical junctures in film and media history. Highlights include several excerpts form the Fellini/Rota collaboration, including The White Sheik, I vitelloni, The Road, Nights of Cabiria, La dolce vita, 8 1/2, Juliet of the Spirits, Satyricon, The Clowns, Roma, Amarcord, Casanova, and Orchestra Rehearsal. Associate Director, Cinema Studies Program; Administrative Director, Penn-in-Cannes and Penn-in-Florence / SAS. Class lecture/discussions will be illustrated with recorded examples. Cinema Studies approaches the history of film and related media from a variety of perspectives: historical, critical, and theoretical. Issues to be considered include comparing the way the genre translates across theatre and film (adaptation) and examining the unique placement of the genre at the heart of contemporary American culture. Also Offered As: GSWS 218, NELC 218, NELC 518, RELS 219, Also Offered As: ARTH 290, ARTH 690, EALC 156, EALC 556. Building on camera, sound, and editing skills acquired in Video I, students will produce a portfolio of short videos and one longer project over the course of the semester using advanced level camera and sound equipment. The course will cover both the history of copyright law and current debates, legislation, and cases. An introduction to Writing about Literature, with emphasis on a particular theme, genre, or period. Bios, and to register: https: //www.sas.upenn.edu/hispanic-portuguese-studies/pc evolution of Cinema website! Explores the history of film and Theater intensively theory Before 1945, and commemorative practice COML 261 GRMN! 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